Death and Vanilla - To where the wild things are (Fire Records)
A beautiful album of hushed and sparkling psych pop from Sweden, which manages to sound both precious and thrilling. Right from the opening song ‘Necessary distortions’ (even that title tells a lot about the band’s aesthetic), the deceptively sweet sounding vocal melodies, the thrumming bassline, the swirling filtered keyboard and the haunted atmospherics are all present. In fact, ‘The optic nerve’ that follows is like a slowed down sister song, employing similarly mesmerising arpeggios backed up by shimmering reverbed guitar and all manner of electronic squiggles and twirls. And no great changes for ‘Arcana’, another gorgeous tune with the hushed feathery vocals of Marleen Nilsson, deliriously wobbling guitars and washes of organ on the backdrop. ‘California owls’ comes on like Julee Cruise fronting The Free Design, a kissing cousin of The Velvet Underground's 'Sunday morning', beautiful naive pop that takes on an edgier hue as it grows on you with the spoo...