The Underground of Happiness

Every week the radio show is a series of mixes, usually a sequence of mini-mixes, 3 or 4 song runs put together to fill an hour. Every now and again though, a bunch of music comes together on my radar, drawn from albums sent to me as well as my own listening habits. Over the last few months I’ve noticed an amount of striking and powerful instrumental music coming together in this orbit I call The Underground of Happiness . All of this has received an airing on the show at some point, but given that I only have 1 hour per week to play with live on air, I thought it would be good to give some of this music an extra platform. Firstly, as you would expect, these are all instrumental pieces, which is to say they don’t contain vocals (although Polar Bear flirt with humming at one stage in ‘No more goodbyes’). In fact, most of these artists are what you would call either exclusively or largely instrumental artists. The cellist Julia Kent for example, exploring the outer reaches of her inst...

That time of year again when we take stock. It's good to take stock, be thankful for what you have, mourn what you miss, make plans for the future, rekindle memories. Musical memories are obviously pretty specific, conjuring up a place, a time, the people you were with, or maybe just how the music made you feel. It can even seem like music transports us back to a more innocent time. Last January really does seem like a long time ago and some of this list dates back that far. Musical memories are always personal and often completely private. This list is the first part of a four-part (probably) series. I'm a bit of a hoarder so lists tend to be long. But everything here is treasured by me. I'm calling it Kosmische/Instrumental/Soundtrack/Jazz/Dance . As usual, tags are somewhat arbitrary but let's go with those. And the tunes are in no particular order. I'm aiming for the second part of the review sometime between Christmas and New Year's if you're a di...

Classy and unfussy jazz grooves carried by a lovely supple double bass and hi hat heavy dropped snare beat. A pair of saxophones join in midway for extra propulsion entwining sensuously around the vocal refrain making a great accessible whole. That refrain is practically a mantra and you do feel it amounts to another inspiring message of hope from this special group.

We had a number of great male crooners on this week's show (I feel a special coming on...), starting with Adrian Crowley , the slightly heartbroken variety, then Daniel Knox , a jauntier cabaret style, later Jon De Rosa , a classic 50s style with gravitas, and Marker Starling who comes under blue eyed soul more, with a great pathos under the smoothness. Stewart Lee has not to my knowledge sung on record before but he has now, covering Shirley Collins with Stuart Estel for a tribute album to mark her 80th year coming out on Earth Recordings for Record Store Day . Virginia Wing , making intriguing psych pop; Colleen making meditational dub sounds; Jessica Pratt , bending time with a sublime folk cut. And Moondog , the man himself making oh so sweetly challenging "classical" music with daughter June on vocals from 1970, and then his influence on Kenny Graham from 1956, which comes out like some wonderful interplanetary exotica. More on these pages. *No podca...

And so the final part of this journey back through 2014. I've titled this bunch in favour of the Orchestral/Jazz end of the pop spectrum but there are certainly a few refugees from Dream Pop, Folk, maybe even Soul (and one showtune). Who's counting though. There are also a good number of Electronic pieces in here as promised, but more of minimalist, downtempo and/or industrial leanings. Mood wise, I think this set hangs together pretty well. Whatever, there's a lot of great music in here for sure. Just as a reminder, here are the other three parts of my 2014 Review. http://www.theundergroundofhappiness.blogspot.ie/2014/12/best-of-2014-part-1-folkrootscountry.html http://www.theundergroundofhappiness.blogspot.ie/2014/12/best-of-2014-part-2-soulpopjangleelectr.html http://www.theundergroundofhappiness.blogspot.ie/2015/01/best-of-2014-part-3-psychkrautrockpunkb.html 1. Polar Bear – Two storms (Leaf) A wonderfully spacious late night saxophone ele...

Brilliantly spacious piece from the jazz fusion (it’s a terrible term but it somewhat describes what they do) group’s new album. A pair of saxophones are foregrounded - one on a climbing figure, the other holding melody and then wailing in agony - against a shuffling percussion wash and double bass. It’s sparse, soulful and absolutely haunting. In Each And Every One by Polar Bear

Everyone likes a good takeaway. But this one isn't the kind that gives you a food hangover at 3 o'clock the next morning. It's actually a monthly singles club, conceived by Seb Rochford of jazz fusion outfit Polar Bear , recorded at his own studio and released on The Leaf Label (they've been busy this year already), in the form of a 2-track digital bundle. Each single will feature a different set of collaborators, along with Rochford himself, and will release on the last Friday of every month. (The "Takeaway" moniker derives from Rochford's studio, which was a food emporium in a previous life.) As you'll notice above, the first release is Love a sacred path , featuring LA poet and singer Gina Loring and British Indian vocalist Ranjana Ghatak . It's got a great ringing vocal delivery and a swirling monster of a backbeat, as you can hear for yourself here. Days And Nights At The Takeway 1: January by Days And Nights At The Takeaway This is so...