The Underground of Happiness

And so to another great gig (maybe concert is a better word, maybe not) to end a great weekend of music (go here if you haven't heard about the context for this, The Reich Effect Festival ). The Icelandic composer Johann Johannsson came to Triskel Christchurch last Sunday with the Iskra String Quartet (that's a photo - I assume from the soundcheck, seeing as the place is empty - taken from the Iskra blog ). I went along as a novice, in terms of familiarity with the man's music - but then going with a blank slate can be an interesting way to approach a performance. This venue opened last April and so has only hosted a handful of musical events to date. I'd hazard a guess that this is the first time that a combination of volcanic rumblings and brushed strings had been heard in the place. That number resolved into something like aircraft noise, a very un-concert hall type of sound. But this performance was unconventional in several ways, by concert hall standards. Th...

North Sea Radio Orchestra – I a moon (The Household Mark) What a fantastic album this is, from Craig Fortnam and friends, with a strong core of English folk music and traces of (post) classical, medieval, electronica and even Krautrock in the supporting cast. Opener Morpheus miracle maker has great swooping strings and a vocal reminiscient of Kate Bush ( Hounds of love era) from Sharon Fortnam (there’s even room for a Micheál Ó Súilleabháin style piano + glockenspiel trill). The title track is short, sweet, strange, driven by glockenspiel, laptop and harmonium and reminds me a bit of Montreal math poppers Oen Sujet. Heavy weather starts as a piano waltz sea-shanty but spreads its wings into string and oboe interludes and male-female counterpoint vocals, before a rousing, massed-band, chamber pop finish. Arguably the highpoint of the album, the instrumental Berliner luft carries off a motorik Neu groove on acoustic guitar alongside a bubbling Moog, with a memorable mid-section stand-...